Abri Maximaal​

Like a digital pop-up suddenly appearing on your screen, Abri Maximaal emerges unexpectedly. Yet for those who take the time to get closer, a world of painted light is revealed: subtle echoes of natural phenomena such as fungi, clouds, or gases. The fluorescent light sources, normally hidden behind posters, now become the subject themselves. Vissers Vorstenbosch paints the light, lets it flicker, lets it live.

Abri Maximaal poses a fundamental question: what if the elements of our public space lightboxes, shelters were no longer used to sell, but to imagine?

By radically reshaping something familiar, Vissers Vorstenbosch creates a new kind of heritage: not tangible monuments, but mental links that shift how we see the world. His work is not a monument, but an intervention – a temporary disruption that lingers.

In this way, Abri Maximaal becomes a fluid legacy. Not something that stands still, but something that keeps moving. In composition, in reflection, in thought. It shows how legacy is not only about preservation, but also about questioning, reworking, and above all: reimagining.